Heavy AmericA is an all original alternative hard rock band based in Boston, Massachusetts and comprised of three members:
Mike Seguin- Guitars, Lead Vocals, Keys
Dan Fried- Drums, Percussion, Vocals
Budd Lapham- Bass, Vocals
Formed in 2013, Mike, Dan and Budd brought together their years of experience and influences to create a truly unique band with a sound all its own. Fed up with the infinite repeat of bubble gum and corporate rock music that plagues the airways, they decided to be a band to bring forth the change so desperately needed in rock music today.
Their "keep it simple" formula has resulted music that is full of energy and raw emotion. A rollercoaster ride with plateaus of happiness and cliffs of terror. So open your ears and your mind to the new sound you've been searching for....Heavy AmericA!
Heavy AmericA's debut album "Heavy AmericA Indiemunity- June 18, 2015 With a name like Heavy AmericA, I must admit, I went into my first listen expecting something quite different. I wasn’t disappointed, quite the contrary; Heavy AmericA’s debut album, Heavy americA, was a really enjoyable listen. The alternative hard rock group doesn’t lay it out quite as hard and heavy as the name might lead one to believe; rather, their six track debut album has a bit of a dark mellow flow to it. Though, they do turn up the tempo and know how to increase the energy in a song. Each song has its own sound, lyrical theme, and they all come together to create an enjoyable album. The trio doesn’t overdo any of their tracks. Musically, they don’t go in for intense energy and excitement, but rather keep things simple and consistent. The simplicity of their songs really felt reminiscent of older music, as new stuff today often tends to go overboard and try to do everything. There were times when I wondered if I was truly listening to a group that only got together in 2013 or if they had been jamming since the 1990s and early 2000s, at times I even wondered whether their vocalist was in a band from the 1980s. Despite having only been together for two years, the group has a really mature sound. I might compare them to more recent bands like Queens of the Stone Age or The Strokes, but there were times when I felt like they had a lot of classic rock inspiration as well. Despite being a short album, each of the six songs brought enough variation of emotion and sound that it makes the short length really enjoyable. While many groups go in for ten to twenty track albums these days, I lament the idea of creating quantity over quality. I think that more than overloading an album with tracks, taking the time to filter the crap out is vital – even more so with a debut album. I think that Heavy AmericA put a lot of effort and energy into their debut and it has paid off for them. They clearly chose to make a short, but loaded album rather than going for quantity and I am glad that they did. Check out their self-titled debut album and see what you think! Matt Kaiser – indiemunity.
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Review: Crawdad Coolers Serves Up a High-Proof Groove with "Reason to Drink" If you’re looking for a track that captures the raw, kinetic energy of a Saturday night in the French Quarter, look no further. Crawdad Coolers have delivered a masterclass in jazz-funk with their latest release, "Reason to Drink." It’s more than just a song; it’s an invitation to the ultimate old-school juke joint. The Sonic Landscape: New Orleans Soul From the first beat, the track radiates a vibrant, "party starter" energy. It leans heavily into a classic New Orleans vibe, blending syncopated rhythms with a brassy, jazz-funk foundation that demands you get up and boogie. The composition is remarkably creative, managing to feel like a spontaneous jam session while maintaining the tight structure of a professional studio recording. Songwriting & Sentiment The songwriting here is A1. While the title might suggest a simple barroom anthem, the lyrics offer a refreshing take on...
"JC.B’s track Angel on my Shoulder sits at an intriguing crossroads of sound: a futuristic ambient chill hop that feels both forward-looking and warmly familiar. The description of the piece already signals a blend of paradoxes that many listeners crave in electronic music—the tantalizing and magical, the introspective and the club-ready, all folded into a sonic landscape built around soft pads and careful vocal textures. As an essay on the track, Angel can be read as a deliberate meditation on mood as a vehicle for atmosphere, where production choices serve emotion as much as genre. At the heart of Angel on my shoulder is its lush sonic palette. The soft pads establish an inviting ambient veil that cushions the track in a meditative, almost cinematic glow. These pads act as a sonic cradle, providing warmth and space that invites the listener to slow down and drift. Layered with subtle, textural synths, the sound design creates a dreamy, otherworldly quality—one that suggests a ...
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