On a Inconspicuous street located on the south side of Storm Valley lives an anti- Hero by the name of Relly Santiago aka The Postman. Being a hip hop artist by day, the dishonest music industry leads the Postman on his own agendas. The half cyborg rap phenom has a knack for overthrowing the industry rules and standards. Guided by his intelligent brother Christobal The Vision he seeks revenge in the favor of the nobody’s. On a Friday night trouble is brewing on the south side. Political ties leads the Postman down a path of anger and destruction! A knock at the door begins the night of terror. “Who is it?” Relly responds “It’s your cousin Boom!” Boom rarely comes out at a time like this so the postman knew it was trouble! “Come in” he announces. Boom entered the house with a face of disappointment. “Somebody hit my Cafe around 7:30 pm”....
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Frenchie Tunes - Fire and Stone #Flyah Review
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Relocating from Canada to the United States in 2010, songwriter and artist Patrick Bedore has always had a love and passion for creating music. It wasn’t until 2016 when Bedore decided to create the Frenchie Tunes project. Recruiting musicians and vocalists to bring different and unique elements to the project, Frenchie Tunes has grown into a whole new persona. Growing with influences like Bob Marley, Led Zeppelin, The Beatles, and Bob Dylan, the songs bring an array of styles to the table. The “Carried Away” album is a testament to where he is with his sound right now.
With the release of the “Carried Away” album, Frenchie Tunes takes some classic genres, and gives them a spin all his own. Laced with addicting progressions, blends of reggae and R&B undertones, and a soulful but indie vocal approach, the record boasts the aesthetic of indie pop anthems. Although the songs are diverse from one another, there is a glue that holds them together almost like a concept album would.
The first single, “Fire and Stone”, holds an air of the radio friendly pop rock powerhouse. Complete with catchy vocal melodies, beautifully performed female fronted chorus, and plenty of musical swells; the song seems to breathe as it plays on.
“Fire and stone comes from the two parts of my personality one wants to be singing in front of 1000 people putting on a a high energy live show (that’s the fire) And the other part is quiet withdrawn and spends a lot of time alone writing songs (that’s the stone)... and I think a lot of people feel that way trying to find a balance between putting yourself out there completely and hiding away. ‘I wanna be Fire, I wanna be Stone’”, explains songwriter Patrick Bedore of his single.
Although the single does speak volumes for the album, to get a real understanding for where Frenchie Tunes is coming from, it should be heard in its entirety.
“My music is always lyrically driven. I like musicians that pick up the guitar with purpose not just for the sake of writing a song... but because something is pouring out of them. I think my sound is always evolving especially as I get better at playing the guitar and other instruments. This past summer I broke my left hand and couldn’t play guitar for about six weeks however about a week and a half into being in a cast I was able to poke 3 fingers out of the cast and play the ukulele... I’ve fallen in love with that instrument and written some brand new songs that I’m really excited to get out“, says Bedore of the songwriting approach for the record.
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For the past decade Dave Woodcock has been carving out a reputation as one of the finest songwriters and most incendiary live performers around. First with his band Taste Of Shotgun whose prolific output (4 albums in 2 years) and legendary live performances caused a stir in the pre-New Yorkshire scene of the early noughties and then as a solo performer renowned for his passion and heart-on-sleeve balladry. In 2007, he released the well-received mournful solo album ‘Wednesday’s Child’ which was compared favourably with ‘the best of Leonard Cohen and Richard Hawley’. Backed by his band The Dead Comedians, 2009 saw the release of the acclaimed and award-winning ‘Omaha High Low’ an album which married his distinctive style to a sympathetic full band sound. 2011’s ‘Poisoned Nights and Bar Room Lights’ further expanded the band’s sound and received more widespread critical praise eventually picking up the Best Album award at the Sheffield Scenester Awards in 2012, beating out the ...
**Song Review: "Unity" by Adub Nati** In a music landscape often clouded by negativity, Adub Nati’s latest track "Unity" emerges as a vibrant beacon of hope and empowerment. This Gospel Hip Hop gem combines uplifting melodies with a compelling message that resonates not just within religious circles but with anyone seeking motivation in challenging times. From the moment the track begins, listeners are greeted with bright, invigorating sounds that set a positive tone. The guitar work is particularly noteworthy—its bright chords create an atmosphere that feels both celebratory and introspective. This instrumental choice complements Adub Nati's voice beautifully, allowing his lyrical prowess to shine through without overshadowing the overall composition. The seamless blend of guitar and percussion creates a rhythmic backbone that is both engaging and invigorating, encouraging listeners to tap into their own sense of resilience. Adub Nati’s flow is nothing short o...
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