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Sivan Langer - The Three Monkeys Somg

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  Langer’s journey into the world of songwriting began when he decided to form a band with a couple of his schoolmates. He dove into a furious exploration of the guitar, immersing himself in the iconic sounds of 90s rock and grunge. Soon enough, his musical tastes grew to encompass jazz and experimental rock. It was a journey that led him to appreciate the conceptual ideas behind the music as much as their sonic manifestations.  As he continues down the winding path of a musician infatuated with his craft, the culmination of his musical journey is marked by this labor of love and determination, borne out of sheer will and appreciation for the arts. Langer’s fusion of genres, blending classic rock, punk, and even elements of jazz, bears witness to an artist unafraid to explore and transcend boundaries. Sivan’s fusion of genres, blending classic rock, punk, and even elements of jazz, bears witness to an artist unafraid to explore and transcend boundaries. With each note and chor...

The Lion King - Visually Re-Imagined


The Lion King was filmed entirely in virtual reality (well, save a single photographed shot). All the locations you know from the original—Pride Rock, the elephant graveyard, Rafiki’s Ancient Tree—exist, but not as practical sets or files confined to an animator’s computer. They live inside a kind of filmmaking video­game as 360-degree virtual environments, full of digitized animals, around which Favreau and his crew could roam. 

Headsets on, filmmakers had access to all the tools of the trade, just in virtual form. Say you’re getting ready for a scene in which young Simba talks to Zazu, his father’s adviser, and the “sun” isn’t falling on Simba’s face the way it should. Favreau or visual effects supervisor Rob Legato could just add a “light” to boost the intensity.